Cyberpunk 2077 (2020)

I played this game about 2 years after its troubled release. I guess that obviously made a difference because I had such a great time playing this game and experienced a very small amount of glitches, bugs, etc. Technical issues aside, i was really blown by this title at times. I found myself in awe of Night City and all the things that made it come to life. Some characters I enjoyed more than others. Johnny Silverhand was great as was characters like Panam, Lizzy & Jackie. I must admit I found the female voice for V a little bothersome at times. She seemed, I dunno, phony lol That’s probably my main gripe with the game honestly. But all in all, fun game and I hope people that were put off by its messy launch revisited it and gave it another chance.

"The game is quite nice. People just expected too much from it. I'm sure it's gonna be a nice, immersive experience."

"Huh, he dead, a ripperdoc can make you a toaster, but can't do anything for him."

"Pretty disjointed storytelling. Could be worse, I guess."

"I mean, even poor voice acting? Come on."

"The city is like a cyberpunk dream come true."

"This side quest was pretty good. If only there was one likeable or interesting character."

"Oh, yes, Judy!"

"Hey, at least it's better than watching Blade Runner or reading Neuromancer!"

"Not really."

"Mass Effect 3's got nothing on this ending."

"Oh, yes, Judy! No sense you being here, there was just this one time thing, but ain't gonna complain."

"Nothing makes sense anymore, but I imagine a future with J and P into V. J approved. One more star for that."

We all know know the story by now, and CDPR execs really do have a lot to answer for (those damn Corpos eh?) But Cyberpunk really grabs you from the get-go. It's fun, brash and flashy, and its easy to get immersed in its gorgeously realised world.

It's only when you've been playing for a while that the cracks start to show. I played this on the PS5 (with PS4 edition) and at first it seemed to play fine, odd glitch aside. But the more you play, the worse it gets. Crashes happened on average once every couple of hours, broken quests meant you needed to restart or just abandon them altogether, stupid silly glitches ruining serious moments of story telling... I could go on.

At first i didn't mind the odd glitch (I mean, we've all played glitchy games). But then it started to really bother me, to the point where it made me angry. Its not just old gen consoles where the performance is bad.

If anyone has read any William Gibson then none of the concepts or story are new. But the narrative and voice acting are well done for the most part, if a bit "immature' at times with the way it deals with its subject matter.

Also the ending is very confusing and a bit too 'Mass Effect 3' for my liking. I ended up choosing an ending I didn't want because it wasn't made clear what my actions would lead to (and not in a clever way).

There is also so much quite clearly 'missing'. Public transport? Also where are the cops?? Hardly any people or traffic. And the AI is terrible sometimes.

You can't get away from the fact that this is still a really good game. The frustrations come from the fact that its just far too buggy and incomplete. This could be an all timer with some extra content, polish and fixes. I just really hope they get there. Hoping for a No Man's Sky situation here.

Cyberpunk 2077 didn't meet the expectations built for almost a decade around it. Perhaps CD Projekt's greatest mistake was to invest too much in marketing and to make promises they had no idea how to fulfill.

The game is not bad itself, although the myriad of bugs and glitches - not to mention the unplayable versions on some platforms - didn't contribute to develop a positive image. I'm certain, however, that CD Projekt is working on correcting these issues as soon as possible.

The story is catching and the gameplay is very solid. The relationship between V. and Silverhand develops in such a way that players will probably grow very fond of them in the end. However, although Night City is a very entertaining open world, it is far from being livid. Because of a poorly developed AI, NPCs look and act like zombies (besides disappearing when not in sight).

All things considered, even though I already played Cyberpunk 2077 twice in a row, I do not dismiss the possibility of playing it again in the future, especially considering the promised DLCs coming along. I recommend this game, but don't expect a breathtaking experience.

5/5

Story, characters and writing were all stellar. The characters in particular are written brilliantly. The story is extremely engaging all the way through. The way side quests interact with the main quest is also very organic. Gameplay was also very engaging, particular the character progression with multiple aspects to upgrade (skills, weapons, armor and cyberware). I found the game on Hard to be challenging at first but trivial using the later quick-hacks that I unlocked, would've preferred more challenge in the end-game.

Game is buggy as hell and feels slightly incomplete. Will definitely revisit when it has been patched and upgraded for next-gen for a second playthrough.

I did ending up revisiting the game on both PS5 and PC after it got patched and playing through it when the DLC dropped. It is absolutely in it's final form now.

This second playthrough spanned across both PC and PS5 and lasted from 2022 to early 2025, about 70 hours in total. I played a shotgun build and the new character perks are fantastic for build-crafting, as well as chroming out. The gunplay is satisfying and the character building addicting. The world in this game is truly second to none. I love all the slang the characters used and it adds a lot of depth to the world-building. The story itself is compelling and covers a lot of interesting themes that cohese perfectly with a cyberpunk setting (identity, humanity, corporations). I did all of the side quests and they're all interesting and flesh out the world just that little bit more. They really stuck at this game and brought it to an unbelievable standard. Crazy that I've played this game to completion twice, and can't wait to play it again.

Definitely an all-timer.

Печально, но «Киберпанк» получился говном.

В нём сломано почти всё.

Основной сюжет скучный и короткий. Стандартная борьба с корпорацией с целью спасти свою жопу. Кажется, что всё по канону, но пресно до ужаса. А хвалёная вариативность даже более куцая, чем в «Ведьмаке 3». В прологе кажется, что она есть, и её много, но на деле она вся в одной миссии по похищению чипа у «Арасаки». Да, в той самой, которой игру рекламировали. Предыстория персонажа, которую дают выбирать, заканчивается за 15 минут (это не преувеличение), а потом пролог идёт по накатанной независимо от предыстории. Ну, иногда по ходу игры дают выбрать соответствующий ответ в диалоге. Ни на что не влияющий.

Вся карта забита значками с заданиями, и казалось бы, что там и мякотка. Вот только быстро выясняется, что все эти значки — вариации вопросиков из «Ведьмака 3». Укради что-нибудь, убей банду, убей киберпсиха, спаси человека — всё суть одно. Пришел, всех перестрелял, получил опыт и записочку. Но записочки тут тоже скучные и неинтересные. Я перестал читать их часу на 10-м. А ещё они часто повторяются.

Все мало-мальски прописанные квесты с постановкой и смыслом заносятся в журнал. Но и тут бывают дрочильные квесты, вроде тех же киберпсихов. Или боксерских поединков. Которые, кстати, ужасны. Удары противников прилетают через пол-арены, а парирование работает через жопу, срабатывая как повезёт.

Разрекламированный квест с ИскИном Деламейном — скука. Говорили, что мол, начинается как скучный «собирательный» квест, зато потом... А по итогу: надо найти семь убежавших такси. Кто-то в депрессии, кто-то хочет тебя убить, только бы не возвращаться и т. д. Затем возвращаемся к Деламейну, немного бродим по базе и принимаем решение, что делать с поехавшими машинами, которые суть части личности Деламейна, развившиеся больше нужного. И вот не стоит оно того. Потому что гоняют тебя по городу часа полтора. А в награду дают в личный гараж такси от Деламейна.

Вообще, мне за всю игру запомнилось задания 4. А понравились только 2. Задание на заказное убийство, которое внезапно выливается в беседы с поехавшим убийцей. И расследование с политиком Пералесом. Но в нём концовка смазанная.

Побочки Панам и прочих встречающихся по сюжету персонажей, вроде бы и должны быть теми самыми интересными заданиями, которые создают глубину здешнего мира, но... Опять не выходит. Хоть от этих заданий и зависят концовки, сами истории скучные. Например, все три побочки Панам — это унылая дрисня, где Сол, глава клана кочевников, хочет продаться корпорациям, чтобы было проще отбиваться от других кланов. А Панам не хочет, и считает, что они сами справятся, ведь корпорациям продаваться зашквар. А в конце Сол такой: «ну да, не надо нам продаваться, ты права, а я не прав».

Да и сами эти истории висят как-будто отдельно от всего. Вот я помог барменше Клэр выиграть в гонках и отомстить за мужа. С тех пор она радостно говорит мне «Привет, Ви», когда я прохожу мимо неё в баре и ни разу не упоминает о том, что мы пережили.

В одном из основных квестов есть выбор кого поддержать — хакера корпоратов или банду вудуистов. Я выбрал корпоратов и получил битву с чуваком, который меня нанимал. Если выбрать наоборот, то получишь битву с бандой. Но в любом случае ни хакер, ни банда в сюжете больше не появятся в, их даже не упомянут! Вот это проработка! Вот это вариативность!

Господи, да о чём тут говорить вообще! В одной побочке я убил управляющего борделем (потом узнал, что при наличии прокаченного интеллекта можно было уговорить его), а нужную инфу взял в компе. А в другой побочке меня отправили этого управляющего убивать, и ничего — он был жив!

Местная ролевая система на первый взгляд тоже настраивает на позитивный лад. 5 характеристик, к каждой привязано несколько навыков, а к навыкам — перки. Очки характеристик дают за повышение уровня, а навыки качаются от использования. При этом порог прокачки навыков зависит от нужной характеристики. То есть, если у меня мало вкачена техника, то прокачать крутые навыки связанной с ней крафта у меня не выйдет. Вроде бы всё удобно и логично. Но опять поднасрали. Вся прокачка — скукота. Все перки это уныла дрисня вида «+25% к количеству получаемых компонентов при разборе предмета» и тому подобная фигня.

Я качался в технику и интеллект. Ну, типа хакера отыгрывал. Прокачанная техника иногда позволяла блеснуть знанием предмета. Получались диалоги вида: — Крутой комп, видяха от Nvidia? — О, ты топишь за AMD? Ну да, ладно, давай о делах. В гейпмлее всё также: если есть дверь для открытия которой нужна прокачанная сила, то рядом есть дверь, для которой нужна вкачанная техника. Это какбэ всё правильно, типа меня не ущемляют в зависимости от моей прокачки. Но раз ни в диалогах, ни в геймплее нет никакой разницы, то зачем это всё вообще?!

Играть вообще скучно, потому что враги бесконечно тупы. Сначала я играл по стелсу: взламывал (а, взлом — это одна мини-игра!) всё, что видел и убивал врагов боевыми вирусами. Но к середине игры мне это надоело, потому что по стелсу играть всегда медленнее, и я пересел на стрельбу. И если в стелсе враги просто тупые и замечают тебя по полгода, то в перестрелках они постоянно сидят за укрытиями. Но в игре электрическое оружие пробивает стены! В итоге я хакал врагов пока не надоест, а потом начинал пальбу, которая больше была похожа на натуральный тир.

Стрельба при этом ну... нормальная. Типичный «Borderlands». Пока у тебя нормальный урон стрелять в целом приятно, бахает оружие душевно. Но как только проседаешь по урону перестрелки превращаются в унылое ковыряние. Да и убивали меня под конец с трех попаданий (я же хакера качал), но мои хедшоты ваншотили всех рядовых врагов, поэтому раздражало это не сильно.

Езда в игре тоже терпимая. У машинок чувствуется вес, разгоняются и поворачивают по-разному. Правда всё это до тех пор, пока машины не сталкиваются. Вот тогда почему то машины начинают вести себя как «Мако» из «Mass Effect» — будто желейные буханки на шарнирах. Да и машины эти — просто аналог Плотвы. Поэтому квесты (почему-то предложения купить очень дорогие машины тоже заносятся в журнал) вдвойне бессмысленны.

А вот что в игре по-настоящему хуёво, что никак не оправдать, что приходиться только мужественно терпеть и страдать — это интерфейс. Он уёбищен во всём. Инвентарь перегружен вкладками, карта залита красным цветом и засрана значками, которые пропадают при масштабировании карты, при этом прокрутка привязана к левой кнопки мыши, которая еще и клавиша действия. Я десятки раз тыкал на значок быстрого перемещения вместо отслеживания какой-нибудь доп. активности. Мини-карта не масштабируется, поэтому повороты всегда внезапные, а GPS почему-то выбирает всегда самый длинный маршрут.

А венчает этот пиздец крафт. В игре тонны бесполезного лута, который можно и нужно разбирать на детали разной степени редкости. После каждой битвы пару минут ты бродишь и собираешь с трупов всякий мусор. Собирать его утомляет ещё и потому, что в игре криво работает выделение объектов. Вот лежат у тебя на столе два предмета, ты смотришь на левый, а игра выделяет правый. Или не выделяет вообще никакой, потому что угол, с которого ты смотришь, ей не нравится. Это очень раздражает. А потом лезешь в инвентарь, чтобы что-нибудь скрафтить и там каждую вещь нужно разбирать по одной! Зажав кнопку разобрать! И также чтобы скрафтить что-нибудь. А деталей всегда нужно очень много. И качается навык крафта крайне медленно. В итоге крафт превращается в невыносимое дрочево. Это буквально часы тупого зажимания кнопок «разобрать» и «собрать». Я так и не смог докачать крафт дальше десятого уровня, тупо устал фармить шмотки и разбирать-собирать.

Хорошего в игре, конечно, есть. Иначе бы я её не прошел.

Во-первых, это Киану Ривз. Я встречал мнения, что он тут, как обычно, не доигрывает, но мне понравилось. Джонни Сильверхенд вообще самый интересный персонаж игры. Дичайше харизматичный мудак. Особенно учитывая то, что всё персонажи в «Киберпанке» на удивление пресные. И хотя ему тоже не написали каких-то особенно занятных историй, всё равно он — лучший персонаж. И его много. Но только если не сраться с ним. Да, игра настолько вариативна, что линия поведения «прочь из моей головы» просто лишает тебя побочек с Сильверхендом, не давая ничего взамен.

Во-вторых, город. Город в игре охуительный. Переполненный деталями: плакаты, вывески, разговоры, архитектура — всё на высшем уровне. Это самый похожий на реальный город в видеоиграх. По нему в кайф просто бродить и глазеть по сторонам: районы очень отличаются друг от друга, а без навигатора ориентироваться тяжело.

Только, к сожалению, всё это грандиозная декорация. Никакой симуляции жизни в игру не завезли. NPC ходят кругами, машины не могут даже объехать препятствия, копы возникают из воздуха и не гонятся за игроком... короче, мир мёртвый. Это безумно выбивает из погружения.

В-третьих, постановка от первого лица работает. Ну то есть ни разу у меня не возникло мысли, мол, «вот бы со стороны на это посмотреть». И так хорошо. Ну и диалоги нормальные, а не как у поздних «Bioware», например.

Но в целом, «Киберпанк» меня разочаровал. Да, море багов поправят. Может быть даже исправят ужасный интерфейс и крафт. Но никто не сделает мир живым, не добавит вариативности, и вряд ли исправят ИИ. Я не ждал игру тысячелетия, в чем обвиняют всех, кто не доволен игрой. Вот только получил я игру, которая пытается меня наебать.

I’m done with this game for now.

I’ve played about 14 hours on PS5. The game has crashed 7 times and I’ve experienced several bugs, but that is not why I’m stopping. While the main story is engaging enough for me to play it, every other aspect of the game feels unfinished, unpolished, or broken. The open- world city is no better than an early GTA game, where interactions with NPC feels wooden at best, or non existent. The side quests (and this part is probably the most disappointing based on Witcher 3) are boring and repetitive. The shooting is serviceable, but far from exciting, the driving is abysmal and fast traveling is a chore. This feels like a huge step back (PS2 era) in terms of traversal and interaction and most certainly not the next Gen step forward that was promised.

Even though I’m a huge Witcher fan, I had no high expectations for this game, because it’s not really my cup of tea in principle, but I was still expecting a quality product given CDPR’s track record. This game feels like Frankenstein’s monster, at times intriguing and compelling (mostly the main mission) and other times stitched together and broken.

I will try again in half a year or so, when they have done substantial changes.

Playing this game was an unfortunately rough experience. It really had the opportunity to be something incredible but I frankly cannot recommend this game in its current state and price point, even on PC.

• Combat
  • Gunplay is solid and generally satisfying
  • Of the three gun types, power and smart felt very weak compared to tech (charge weapons)
  • Melee is cool, but mantis blades don't scale and are inferior to melee weapons mid-late game
  • Stealth is not very good. Enemies can be hilariously blind to your presence and there's rarely any difference if you beat an area loud or stealthily. Guards often don't have paths and it makes gameplay less interesting as a result.
  • Early game, enemies are spongy as hell, especially if you play on hard instead of normal
• Role Playing
  • Character creator is solid overall, can't change appearance after character creation so be warned
  • Skills, not so much. It's virtually impossible to max a tree unless you invest every level into it
  • Intelligence and Tech Expertise are really not that helpful. Having access to extra hacks or opening doors usually doesn't do much except save you a really brief walk to find another entrance. Most essential hacks don't need a high intelligence
  • Crafting is also unusable and useless; see below
  • Your background only affects the first tutorial mission and some dialogue lines that don't affect the story.
• Items, Crafting, Cybernetics
  • Money economy is totally unbalanced. After 40 hours I was only able to buy two vehicles because your income is too low
  • Similarly, items in shops are way too expensive - a legendary sniper rifle that was in a shop late game cost almost as much as all of the money I made in my entire playthrough
  • Cybernetics offer much more interesting customization than the perk tree, so don't forget about these.
• Open World
  • Night City is beautiful
  • The city design itself has a lot of personality; the different parts of the city really do feel different
  • Can't interact with much; it's mostly a pretty background for the player to do missions in
  • Certain mechanics like the police and the GPS are hilariously broken
• Graphics
  • Again, Night City is gorgeous
  • Performance is terrible on most platforms. Do not buy this if you own a base PS4 or XOne. The fact that these machines run at 15fps and sometimes less - it's absurd.
  • Even on PC, unless you have a $400+ graphics card, you might struggle to maintain 60fps even with resolution scaling. If you have a GPU that supports DLSS, the game can run pretty well but still requires compromises.
  • There are also so many graphical glitches you'll likely run into one every five minutes or so.
• Story
  • The last thing that could save this game falls just short, unfortunately
  • The opening act is solid and gets you invested in the story
  • The middle act is terrific, Panam and Takemura have awesome questlines that were a blast to experience
  • The ending act is terrible. They clearly had to cut tons of content they intended to include in the middle acts that would have changed the ending. It's incredibly unsatisfying, on the level of Game of Thrones Season 8.
  • I really enjoyed the middle section, but again, you can't make a good story with just a rising action; if the payoff is garbage, it takes away from everything that came before it.
  • Hate to say this, but unironically the best ending seems to be (spoiler): suicide, where V shoots themself.In the other endings, you kill tons of people and possibly sacrifice multiple of your allies, and that turns out to be in vain because V has been doomed to die the entire time anyway. There's nothing else about the other endings that makes them worth it - V doesn't even get to say an emotional goodbye to Johnny or anything that would have made them satisfying.
• Other
  • Keanu Reeves was miscast for his role as Johnny. Johnny is an egotistical, rebellious asshole, and while Keanu's visage is great, his voice acting is terrible. It detracts from your ability to take Johnny seriously.
  • The game is constantly telling you that things are bad (corps control the world!) but it rarely shows you them actually doing anything evil.

I'd recommend skipping this, possibly even if/when they fix the balance issues, the massive amount of bugs, and the poor performance. There's just nothing that Cyberpunk does particularly well; it does a mediocre job at some things and a shitty job at the rest.

I am absolutely loving this game as I approach the 30 hour mark and the “point of no return” mission. The story is so cool—the main big act of the game is divided into a few different smaller parallel stories and they all ended really well, a couple in particularly spectacular fashion. Some of the side content is hitting some interesting thematic parallels to that main story and I can’t imagine playing the game without it. Even when the side content goes off on a tangent, it can hit some great emotional notes and offer interesting gameplay experiences.

Some stiff acting aside, Johnny has also become more and more interesting as his role in the game grows, and side characters like Panam steal the show and seem primed to play a big part in the later game if you invest in their storylines.

I still totally love the gameplay as I’m now maxed out on the hacking skill and able to fully clear missions from stealth while never upgrading my actual stealth stat, purely based off the hacking. And that hacking also works in all-out combat when needed, gives me an income source and new ways through levels—feeling really versatile. Guns are feeling great too, particularly a certain beefy handgun used while playing as Johnny and the smart targeting assault rifles.

In many ways, it’s even more than I was hoping for—much more exciting and stylish than The Witcher games as well as more engaging in gameplay and emotionally. Despite being one of the buggier major releases I’ve played, I can’t help but be totally obsessed with it.

Lol, this is a joke at this point, right?

The amount of stupid bugs in this game, particular ones where someone's dick/ass/boobs are hanging out... It's like CDPR was disappointed they couldn't shoehorn edgy lewd stuff into the game enough, so they are letting the bugs do it for them.

I'm exaggerating for effect here, I don't actually think that's what's going on or anything, but it is getting kinda ridiculous... Honestly, I kinda hope CP2077 gets to go down as 'that meh game where no one could keep their pants on'.

You know, I quite like this game, it isn't that bad. You can read my thoughts about it here.

But one thing that has me very intrigued is: Who the fuck gives the driving licenses in Night City?? I mean despite the constant traffic accidents, mad people behind the wheels kind of shit; now, it's actually raining cars?!? From the freeway above... Please, come on. Enough is enough, am I the only one following the fucking traffic lights!! And this is a fucking game!!! Immersion in the world everybody!!!

Given that this is the gaming community we are talking about, this game it's having its fair share of unjustly praise and hate. It's being criticized as severely as its being praised grandiosely. I, however, found myself in the middle of all this crossfire and I would like to give you a couple of thoughts on it.

This game is perfectly good, it isn't great, it isn't the masterpiece nor as revolutionary as Johnny Silverhand aspires to be. It is fun and enjoyable, it is a bit derivative and it does follow that ethos of "if it ain't broke, don't fix it". It takes a lot of its cues from Deus Ex, for instance, there's a depth to this game's stealth, not to mention that the level design is as lackluster as it seems at first, it does have multiple ways to tackle and objective, and it gives space for the player's creativity, thing is that Deus Ex does it better, but still, being this a modern AAA game, I am glad that's there. How you can improve your character's cyber-tech is the same as in Deus Ex, but this time with a much more depth and capability to really personalize and make a distinct V. The shooting follows the modern "old-trend" of fast-paced shooters, in the harder difficulties movement is required, and if you like those sort of shooters, it is real fun. Bad side of it however, is that enemies are bullet sponges, it takes more than it should to kill someone, and it makes a contrast with the fast-paced nature of the movement, it becomes more of a nuisance than anything. But if you get hold of a katana -I am playing my Samurai fantasy, a la Frank Miller's Rōnin as I didn't get that much in Ghost of Tsushima- and it all becomes slashing fun. And the dialogue and most RPG stuff, the game follows closely the formula of The Witcher III, and its what it has the most depth, yet hasn't been improved that much. This game, has its bets in other stuff, gameplay wise has bet safe.

One of the things that really worried me, was how much cyberpunk would Cyberpunk 2077 be? And I am very pleased, it does game the basic theme of "high tech and low life", it has the big corporations having much control than the governments, and with some backstory from the radio and TVs spread around the world a nice pinch of flavor is added and the world shows much mor depth. Which it has, this might be the most detailed open-world game I have seen, just as much or even more than Red Dead Redemption 2. It is humongous and everything from the radio stations, to the tiny alleyways, to the TV ads on the many screens, everything has been thought out with all of their tiny details in mind. It's fascinating, however, due to all the bugs and incredibly bad optimization, this side of the game, which is clearly what has taken most of the Dev's attention, suffers the most. Every little bug, every little defect and flaw, screams jarring from the screen, breaking what this game's treasures the most: immersion. Which it is, but at the same time, just as your head is getting into it and starting to live through the dangers of Night City, it's suddenly broken by this awful and broken optimization.

What I do like, perhaps the most, is that Night City isn't Blade Runner's Los Angeles -for that take a look at Bloober Team's Observer-, it isn't Akira's Neo-Tokyo, it isn't Ghost In The Shell's Niihama Prefacture, nor the Washington DC of Spielberg's Minority Report or whatever world Netflix's Altered Carbon takes place in. Night City, has its own identity, it really looks like the West Coast, Los Angeles, Venice Beach; it's bright and sunny, and the world is filled with bright and bold colors. In a rainy night, is when you perhaps can see the most resemblances of the neon-lighted classic cyberpunk metropolis. Although, this game doesn't have a shortage of "cyber", it is very cyber, there has been a conscious effort from CDPR to sway the game into the "punk". The world's visual radicalism is a display of that, and having Johnny Silverhand in your head attests to that. But that comes with its fair share of negatives, specially on Silverhand's part; he oftenly comes through as this edge-lord old-forgotten rockstar, who loves to reminisce his old dears... I know very cringe, and is as ideologically deep as I was, age 14, when I was listening to Circle Jerks, Black Flag, Sex Pistols, and all that shit a stereotypical punk rocker does, with my philosophy of "do it in your own", fuck that mainstream shit and we should set fire to the big Corporations... that is also very cringe. But on the bright side, Silverhand also displays a complexity, I would like to know if later on the game -no spoilers please- this was made intentional, and Silverhand isn't what it seems.

So, here I have given you my thoughts on it. I am really liking this game, glad I didn't had it too hyped, gave it enough space to impress me, and although you can paint me disappointed in many areas, you can also color me impressed in others. Suffice to say, I am not regretting that much, playing this game, it is becoming quite addictive.